Tag Archives: Vimeo

ft-Vignetting PRO for After Effects

ft-Vignetting PRO easily adds a highly customizable vignette to your footage or comp..

Here is the full feature list :

  • Shape – Circle, Elipse, Square, Rectangle.
  • Size – The size of the vignette.
  • Feather – The amount of feather.
  • Feather Mode – linear, smooth, ultra smooth.
  • Position – Adjust the center to reposition the vignette.
  • Color – Tint the vignette.
  • Blending Mode – Add, Multiply,…
  • Noise – Add noise.
  • Noise Color – Tint the noise
  • Noise Time – Animate the noise.
  • Opacity – Adjust the transparency.

The Pro and Lite version are now compatible with After Effects and Premiere Pro (CS4 to CS6).

Download the PRO version 

The plugin has been converted to Native AE by Tobias Fleischer ! He is the man !!! 😉

ft-Filmic Contrast PRO for After Effects

ft-Filmic Contrast PRO is the new version of the “one slider contrast plugin to quickly get a cinematic look”.

This version is based on the same principle but with some extra features as :

  • Input channel selection
  • Color mode (per channel process)
  • Faster algorithm
  • Boost effect

The Pro and Lite version are now compatible with After Effects and Premiere Pro (CS4 to CS6).

Download the PRO version 

The plugin has been converted to Native AE by Tobias Fleischer ! He is the man !!! 😉

Experimental Animation based on sound with After Effects via AETuts+ (Audio Reactant Time Remapping)

My tutorial for AETuts+ is finally out !!
It covers Time Remapping, Waveform to keyframe conversion, expression, … I got really inspired by watching all those reels from motion designer or filmmaker with music most of the time from Hecq. I was wondering how they did their editing and cuts, so I came up with this idea. I don’t know if it’s the way they did it, but this is my approach.

Hope you like it !!!

Link : Audio Reactant Time Remapping Tutorial at AETuts+

Blender Quick Tips : How to create masks in the compositing editor

Since there is no mask in the “Compositing Editor” of Blender yet, I found a simple tricks which could work pretty well especially in case of color grading.

You’ll see nothing really fancy here since the mask can only be square (or pretty close to a square shape though). But if you check out Colorista for instance, the two allowed shapes are ellipse and rectangle.

Blender Quick Tips : How to create masks in the compositing editor from François Tarlier on Vimeo.

Maya to Blender tutorials

I just found those 2 videos on vimeo (hopefully there will be some more soon) talking and helping Autodesk Maya Artist willing to use Blender.
I like the idea behind this kind of videos, and since Blender 2.5 will be more customizable with multi-windows, Hot-keys, … it will make it easier to switch from one software to another.

Those videos, especially the first one is for Blender beginners


Blender tutorial for Maya users

Blender tutorial for Maya users from Shananra on Vimeo.


Blender tutorial for Maya Animators

Blender tutorial for Maya Animators from Shananra on Vimeo.

RGBto3D Space application made with processing

Introduction

I wanted to play with Processing the other night. I thought about representing RGB pixels value of a video in a 3D space based on there RGB value, where RGB stand for XYZ.


Mobile Version on Vimeo

00:00 : using “Avatar” Trailer
01:07 : using webcam feed


How, why, cool ?

So really basic programming, but I thought it would looks cool. Actually, what was going to be a cool looking animation  turn out to become a cool visualisation tool !
I found out that by just showing those pixels in a 3d space based on there RGB values you could see several dimensions at once :

  • Red value : X axis
  • Green value : Y axis
  • Blue value : Z axis
  • Luma value : is the vector between the black color (0,0,0)  -> white color (255,255,255). It means that if the point cloud is closer to the white corner, brighter the picture is (… no kidding 🙂 )
  • Saturation value : it is the vector perpendicular to the luma vector. it means if the picture is saturated wider the point cloud would be, and of course more it is desaturated finer the point cloud will be. A black & white picture would only show particles on the luma value.
    This one was the less obvious to me (but I’m not really smart :p)



Examples

Saturate picture = wider point cloud
Saturate picture = wider point cloud
Desaturate = finer point cloud
Desaturate = finer point cloud
black&white = point cloud only show as a straight line on the luma vector
black&white = point cloud only show as a straight line on the luma vector
brighter = point cloud closer to the white corner
brighter = point cloud closer to the white corner
Darker = point cloud will be closer to the black corner
Darker = point cloud will be closer to the black corner



Source Files :

You will have to add a quicktime movie (.mov) in the “data” folder called “vid.mov”


Conclusion :

For sure all this sounds pretty obvious, and I’m pretty sure I’ve seen people doing this kind of stuff before, but I’m surprised I haven’t seen it in any “video editing” software before (or maybe I miss it).

I think it could be a really helpful tool to have a quick over look on your picture and just in a snap being able to tell if its too saturate, too red, or too blue, too bright or too dark…

Feel free to leave any comments about that or if you know something similar, just drop a line in the comments. By the way, this is my really first complete project with processing, so I probably did things the wrong way, you are welcome to correct me 🙂

Stuart Maschwitz’s (aka Stu) 5D Settings port to D90

I’m currently taking a class at Fxphd called “DOP210 -DSLR Cinematography” with Stu Maschwitz (prolost) & Mike Seymour as mentors!
This is an awesome class if you have a Canon 5D or a Nikon D90 and want to make movies with it and post-production/grading as well!
Either if the class is talking about the two cameras, the focus is mainly on the 5D!
Stu had a really nice post on Prolost about setting the 5D called “Flatten Your 5D“. Those settings aim to get a neutral picture (low contrast, low sharpen, low saturation,…) which would give a better control in post-production for grading. Settings which he’s using in his class of course !
Since I own a D90, I thought I would give a try to port his 5D’s settings to the D90!
Here is what I have done :

D90-port-of-stu-settings-5D

I also turn off D-Lighting, but I’m not sure it is the right move. I’m not sure it is the best settings yet but it looks close though

Update : Also I recommend you to take a look at Understanding and Optimizing the Nikon D90 D-Movie Mode Image on the DVXUser Forum, it give nice tips to trick your camera a bit

Here is a test I have done with those settings and Rebel CC on After Effects.

Mobile Version on Vimeo