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Blender VFX wish list features

Introduction

EDIT : the project started at http://ocl.atmind.nl/doku.php?id=design:proposal:compositor-redesign . Please donate and help the project

I have been at the Blender Conference this year & had the chance to met a lot of great guys as also talking with Ton about doing vfx with blender. I…

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Blender 2.5 Lighting and Rendering

Blender 2.5 book by Reynante Martinez. Talking about Lighting, Rendering and compositing with a few Color grading tips.

“In this article by Reynante Martinez we’ll tackle a…

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Pixel Bender : ft-Clamp for After Effects

Introduction

ft-Clamp is very similar to Nuke’s Clamp node. it is able to clamp RGBA values as also force a maximum and minimum color.
It is usually use before or after filters which needs to have values between 0-1 (or 0-255). Since it can clamp different…

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Pixel Bender : ft-Ppass2Matte for After Effects

Introduction

I believe this filter is the only one handling Position pass in After Effect. By rendering an Object P Pass, you will be able to create 3D mask which stick on your objects.

This techniques comes from several Nuke scripts. Look at the following videos :

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After Effects CS5 Studio Techniques mention “ft-Cubic Lens Distortion”

Mark Christiansen’s new After Effects CS5 Studio Techniques is out. Without doubt one of the best book for vfx with AE.
I’m very proud since some of the…

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Faster Array Sort in Javascript

Introduction :

Based on Eugene(inspirit) post about Faster Array Sort function in Flash, I ported his test code into javascript.
First of all, I’m mainly using JS for scripting into Adobe After Effects, Photoshop, … but not so much…

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Pixel Bender : “ft-Brightness Check” for After Effects


Introduction

A tool that lets you know which part of your picture is too bright or too dark by pointing the bad pixels directly on your footage. Similar to the way…

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Sintel : Open Movie made with Blender 2.5

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Pixel Bender : “ft-Filmic Contrast” for After Effects

Introduction

A one slider plugin that gives a very compelling filmic contrast “look” to your footage.  Partially based on Ken’s Perlin Gain function & Roy Stelzer’s presentation

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Matchmove: Peugeot 207 | Time Proof Design

I tracked all the moving shot in this commercial.



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  • Matchmove: Peugeot 207 | Time Proof Design
  • Matchmove: Peugeot 207 | Time Proof Design
  • Matchmove: Peugeot 207 | Time Proof Design
  • Matchmove: Peugeot 207 | Time Proof Design
  • Matchmove: Peugeot 207 | Time Proof Design
  • Matchmove: Peugeot 207 | Time Proof Design